Interview with kostumografom about 150 theaters over the last ten years, movies, TV shows, franklin

Dream girl Aida Muratović Gallery Reading
Interview with kostumografom about 150 theaters over the last ten years, movies, TV shows, franklins catalogue manufacturers sculptures made of fabric, plastic and metal (and salt), fashionable decorator Helene Blagne and other stars of the Slovenian and Croatian show, Funeral in Allah and ballet, Acrobats and players of Canadian theatrical spectacle Cirque du Soleil.
The definition of what does our interlocutor This time, they had trouble getting much more educated people than I am, I for this introductory phrase is needed about 15 minutes tuhtanja and then decided to soak Jure Mikuž that preface to Hraniteljevi Costume monograph introduces the thinking how the 20th century franklins catalogue at the time of modernism franklins catalogue and then postmodernism, especially in structuralism, semiotics and reizmu, franklins catalogue developed a discourse on the subject and objectivity to such nuances that looks at its tautological bow and revealed objectness objects, then poljudneje decide to make Hranitelj creations most appropriately characterized as clothing and artwork.
But since (by the way, is a wonderful monograph) should live, while having fun and not taken too seriously, the breadwinner creativity franklins catalogue does not end with the exhibited crinoline dress and theater and films, franklins catalogue but by creating franklins catalogue a public image of Josipa Lisac, franklins catalogue Helene Blagne, the last performs the dance Škufca-Venturini, performers in Cheers, employees dress in Hotel Union and the cemetery Zale, ballerinas in the Eurovision music video Omar Naberja with parrot transformation of the Terrafolk concert some of Ljubljana Symphony Orchestra, the dress Barbies in Architecture Biennale in Ljubljana another dummy yoke (after his cat) for UNICEF charity auction wedding dresses ... And when all this becomes routine, invents franklins catalogue something that has nothing to do with anything, and it is difficult to name.
Alan Hranitelj is born from Zagreb, who turned sixteen in Ljubljana and it lasted more than 20 years, minus the year, when he worked in Milan as a fashion designer. It was enough that he realized that the ready-made, conveyor and working hours are not eager to return to the theater and to his sculptures made of fabric franklins catalogue and said client.
In 1995, after one of the exhibition, a catalog sent to the addresses of various institutions, including the Canadian theatrical-acrobatic group Cirque du Soleil, which is some 20 years ago began to like our Ana Monroe, a while grown to spectacular proportions that nice match Hraniteljevi vehemenci.
The catalog is misplaced somewhere, and when it was discovered, however, are our caller called and employed in the manufacture of new shows, the first part of a trilogy, which will premiere in Macau in 2009. There also it built hall, from which, preglomazna travel franklins catalogue will not be moved.
We talked in Unionovi cafe, its base, as he says. The waiter franklins catalogue who served us - him tea and cake (do not drink coffee, but it is crazy about sweets) - was dressed like any Ljubljana waiter, but I was interested in, or can not be our interlocutor, who, after many years of black -white period grudge colors, embarked on a creative crisis. PLAYBOY: Is it your clothes?
Hranitelj: Bodo, the director ... he remembered this because I have the centenary of Union, whose celebration lasted a week, arranged in an approximation of what would now created. Responses were insanely good. Even then, functioned very well. Playboy: On the other hand, clothing servants sorry. What can you do for them?
Hranitelj: I've started. First, we garments for workers on graves, at least approximately placed in one color, but in a good material, but the cut - a Goretex. But it's a sport, as in our SWAT, we added only some detail. Others are you, who are very visible, such as in the tuxedo, with a half-cylinders ... I think it should be everywhere. Festive, easy ... There are no ready-made. PLAYBOY: You mentioned color. Are there any other color besides black graves?
Hranitelj: I have not started. Just today I thought to call to ask them what it exactly is. [Laughs] Well, in short, this is the architecture Biennale and the Barbies, which should be three or four from Slovenia clothed, but it will not be able to say anything because I was away for ten days at home. Playboy: What is your relationship to the culture that produced Barbie? Is it for you kitsch?
Hranitelj: See, depending on ... If it is a good kitsch, he believes are nice, I like it very much. When it comes to cheap kitsch, but we all know how it is. Barbie as it was in the beginning, I was sympathetic to what has become of it, is something else entirely. But the same is true for Superman, and anything from this culture. Even for Playboy, after all, for his bunny. So you do not judge between those who say: "Marilyn Monroe? That's okay ... "and blah, blah, blah ... No, she gave insanely great seal century in which she lived, and one of its icons. Even Barbie