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Italian film scene is the see-saw between the art of the possible premium outlet miami and the economic boom, as they showed films Il Divo and Gomorrah, premium outlet miami or the further vulgarization. On the one hand there are the creativity, infrastructure, and adaptability of international premium outlet miami recognition. On the other hand we have the vulgarity and lack of funding. Along with the presence on the international stage, premium outlet miami it should premium outlet miami work on finding ways to promote their talents on the global, national and local levels. It might also be financially and artistically productive, writes Pijero Skiama in, Nouvelle Europe, and some of his observations and conclusions can be applied to a Serbian film.
History of Italian Cinema is a fascinating story: slide ups and downs, premium outlet miami hope and despair, talents premium outlet miami and garbage. Closely associated with this history premium outlet miami is, of course, premium outlet miami 'Ćinećita' (Cine Citta, http://www.cinecittastudios.it/en), a vast complex premium outlet miami built in the center of Rome and initially dedicated to cinema and today and television production and TV series. Although unfinished, this article was written with the intention reconsideration of the evolution of Italian cinema, dealing with today's challenges, and all that, once famous, Italian cinema future (not) bring.
The beginning of one of the chiefs of staff of Italian premium outlet miami cinema, 'making, ironically marked by Fascism. There was 1937th premium outlet miami at the height of the reign of Mussolini, with the aim of European cinema infrastructure that would be able to withstand competition from Hollywood. The rise of the Italian film school and production is inspired by the law of 1939, which is through government contributions and grants began generously financing the film. Between 1937th and 1943rd was produced over three hundred films. Later Ćinećita had merit as one such "movie site" brought premium outlet miami together directors like Roselinija, Fellini and Antonioni, who spoke about their experiences mutually enriched each other. Fellini, for example, worked with Roselinijem, but differs from it by adopting a style that is more oniričan. The moment neorealistic Film School 'pushed' filmmaking outside the walls, "making" - in a setting that is "on premium outlet miami the street, that is more connected with reality -" Ćinećita "has experienced its first crisis. Concern over its financial and artistic situation from then on, that did not stop growing.
We turn now to the fundamental contribution of Italian cinema. It evolved premium outlet miami from the neo realism that illustrates Roselinijev Rome, Open City (1945), a film that describes the political, social and economic problems after fascism, to pink neorealism, also affiliated with the description of Italian society, but more focused on his successes and certain "joie de vivre "and the promotion of actress Silvana Mangano like, Sophia Loren and Claudia Cardinal. He also produced premium outlet miami Comedia alla Italiana, the style in which social problems are mixed and humor which illustrates the famous film character Toto or Amici miei (1975). What's premium outlet miami fascinating about the Italian film is its diversity, deep sensitivity and human character and his artistic potential, which are a fantastic premium outlet miami sense of music (eg Morikone), premium outlet miami architecture and fashion.
All these qualities were not able to prevent a crisis in the late seventies when the "trash films" (or sexy comedy) received their part in popularity thanks to the spread of television, which at that time is rapidly premium outlet miami developing. Although most of these films used the opportunity to confront the Italians with their social and sexual taboos, they (films) are doing it in a vulgar and superficial premium outlet miami way. Comedy is also given sordid side of the figure Fantocinija who starred Paolo Vijagio. It was a time of great frustration.
Although some admit films produced nineties as Tornatoreov "Cinema Paradiso" and Benjinijev "Life is Beautiful", the situation premium outlet miami was no less troubling. Fellini himself was a victim of this change of mood, it took almost two years to bring one of his movies, "I still ship sails." Yes, you heard right, even Fellini was affected by changing values in art. On that occasion, he condemned "berluskonizaciju" Italy and the harmful effects of television. The latter would later strongly influence "Ćinećitu". Although some parts of the complex were still dedicated to cinema, a large part of her set was dedicated to the production of TV series (including international). Strikes organized by workers in the past few years, it should remind us that what this place has the potential and the desire of some of its employees to maintain the old style of management. Today the studio almost completely